Last
year I wrote a review of this album for Sputnikmusic, hoping to attract a new
audience. The moderator was quick to declare how “painfully average” it
sounded. I was furious and defeated at first, but then I realized that the same
guy called Infected Mushroom “boring and derivative” and Deadmau5 a fucking
masterpiece, so I guess in this case, I’ll take “painfully average” as a
compliment. Welcome to the second review ever of Subliminal Stimuli’s
“official” debut LP, W32.MyDoom@MM.

Since
we’re on the topic of stupid music critics, I am reminded of a quote by Robert
Christgau, the self-proclaimed "Dean of American Rock Critics," whose favorite
artist happens to be Soulja Boy (what). While I may not agree with what he
considers “good music,” I do agree with how he defines it. A top grade album,
as he describes it, is one "that has invited and repaid repeated
listenings in the daily life of someone with 500 other CDs to get to."
Since I literally have almost that many albums combined between my digital
library, CDs and cassette tapes, I can certainly relate to this statement. MyDoom, in less than a year since its
release on Bandcamp, has received at least one or two dozen plays from me. I
don’t mean in sections, or a track here and there; I play that shit front to
back almost every time. Sometimes, I’ll skip to track 3 from the get-go, or
I’ll stop playing after track 12, but from Watch My Every Sound to The Time
Grew Wings and Flew Away, there is seldom any pausing, fast-forwarding or
multi-tasking happening when it’s on.
The
album both starts and ends in a low-energy, somber mood, which can be daunting,
depending on the time of day. I can respect that certain tracks, like the last
two orchestral tracks, are there as part of the theme of love that Rain tries
to convey in his own strange way, and others, like the first two experimental
tracks, are there to build up anticipation, or maybe because he simply enjoyed
the pieces but wasn’t sure where else to put them. But frankly, I wouldn’t
complain if he nixed the first and last two tracks and got right to the meat
and potatoes, which starts right after “Garden of the Gods.” 14 minus four
equals ten – ten tracks that explore the netherworlds of heavy dubstep, house,
and even trap, with a bit of that good old double-time, half-time, and even
über-time. What is “über-time?” Just listen to “Subliminal Stimuli (Part 2)”
from 3:11-4:07 and see what I mean. Some tracks, like “Subliminal Stimuli (Part
2)” and “The Time Grew Wings...” are upbeat, quirky, happy hype tracks, while others,
like “I Miss Your Warmth” and “Fucking ill (VIP)” are long, simple tunes that
are dark and edgy. My favorites are the ones that mesh emotionally moving piano
melodies with psychotic noise drops like in “Watch My Every Sound” and
“Pianissimo Subuito Fortissimo” (“Very
soft, and suddenly very loud”). The mood fluctuates from hyper to angry to
scary to mellow to hyper again, is rife with sound effects that either jump in
your face or pitter-patter about in the background filling in all the cracks
and spaces between the snare and the bass. Whether you start from the very
beginning or skip to track 3, you’re in for an audio rollercoaster ride.
No comments:
Post a Comment